Everybody is so political these days.
It wasn't always like that, of course. Thanks to this new Information Age, anyone with an Internet connection and some free time can be an armchair pundit. I know how contemptuous I sound, but someone like myself cannot help but notice this paradigm shift. After years of hearing from people how they hate hearing me talk about politics, now all they want to do is bore me with their politics.
I realized that things reached a critical mass last year when my mother started posting political rants on Facebook. No offense to the woman who gave me life and raised me... but when even your own mom shows up at the party, it's safe to say the party is over.
Maybe it's my comeuppance for blasting my opinions so loudly. But then again, I don't know about that. Maybe it's the natural consequence of my opinion-blasting. Long before the concept of viral content became associated with the Worldwide Web, the notion that ideas were like viruses that can be spread and transmitted exponentially did exist.
In the past I was definitely trying to get my ideas out there. Unfortunately, most of them were half-baked conspiracy screeds and juvenile attempts at shock and controversy... what we refer to these days as 'trolling'. Luckily, most of that happened when I was a teenager, so now I can look back at as adult and snicker at my sheer gall.
Recently, however, I unearthed evidence of those ill-advised attempts. Back then, we didn't have no consarned Interwebs so we made Xerox copies of things and stapled them together and handed them out like flyers outside a nightclub.
Yes, you guessed it: I found copies of the underground 'zine I made during high school.
There were cringe-worthy moments to be sure. Leafing through the pages, I found so many things to be embarrassed by: shock value for its own sake; pointless smut, particularly in the first issue; infantile attacks on other students, teachers, and administrators; and plenty of guileless profanity, none more pronounced than in the title of this angst-y wiseacre publication: "FUCK OFF!"
But I also laughed out loud, and I also realized that my friends and I (because there was no way I was going to do this alone) were smarter than I could ever give us credit for, and we were clearly having fun with it. It helps that, despite our willingness to be silly or vulgar or cynical, some of the articles had some depth. The opinions are dated and shrill, but you can see that we were willing to defend them to the death... of our social lives, which admittedly we neither possessed nor could afford.
However, it's not the articles and the rants that make me proud enough to take pictures of these pages with my phone and post them on a blog. It's the artwork.
I had just discovered Winston Smith, the man who designed many album covers and insert posters for the punk band Dead Kennedys. He specialized in topical montage art that had a style all its own. I co-opted that style for the look of FUCK OFF! and began to clip out magazine and newspaper photos, interesting tidbits of journalism, headlines in all sorts of fonts, and mounted them on notebook paper with a glue stick. Then I solicited a few friends for things to fill in the empty spaces: essays, articles, photos, cartoons, anything that would visually attract the attention of my peers.
To truly tell the tale of how I started doing this, I have to pick up where I left off in my last blog entry. In the wake of our confrontation with a Nazi skinhead crew on a city bus, I was suddenly infused with a self-righteous indignation that nobody could cool. Starting high school as a Sophomore, I was determined to strike out on my own and reinvent myself as some sort of journalistic provocateur, symbolized for me in my choice for a pseudonym: Hunter S. Thompson.
The two companions with whom I encountered the skinheads (whom I declined to name in the last post because I wasn't sure if they wanted me to) were very instrumental in turning me on to new ideas, both culturally and politically. My normal-looking friend who took an elbow to the face on the bus that day was, at the time, my best friend. He encouraged me to tell stories on the school bus every morning, and turned me on to music by bands like Led Zeppelin and the Stay Cats. He also had a liberal outlook on life, and it was at odds with my conservative-raised beliefs. We debated each other constantly, and after a while I began to see that his ideas actually did have more in common with how I really felt about things than anyone else in my life up to that point. I loved my family, but I also knew I was not the same as them; we did not see eye-to-eye on many issues. My best friend enabled me to find a way of expressing my concerns without being judged or ridiculed.
Our mutual friend, the one in the Butthole Surfers T-shirt, was like no one I'd ever met: an accomplished artist even in grade school, with a mastery and skill I have rarely ever seen in my personal life; an avid punk rock fan who introduced me to bands like the aforementioned Dead Kennedys as well as The Vandals, The Descendents, The Germs, and X; also, he was a politically active member of a politically active family. Long before it became chic to buck the Establishment, the kid with the Butthole Surfers T-shirt and his parents and siblings were socially conscious and passionate about their commitment to the environment and to progressive causes.
And me? I was the writer, the storyteller. I had a way with words. I had the gift of gab. I also was shameless in my dealings with other people. I wasn't nervous in front of large crowds. I had balls. I think my friends thought I was a little crazy, but it only made them more curious as to how far I was willing to go.
In a way, you can say that these two associates of mine programmed me to be a political agitator. Certainly no one in my own family ever ingrained these ideas into my head. But they had to come from somewhere. And seeing as these guys were my best friends in the whole world during the elementary and middle school years, it makes sense (as I look back) to say that they poured their beliefs into me and I accepted it and ran with it.
What is sadly ironic is that it took the skinhead incident to catalyze this drive, this urge to make statements in a public/social arena. The irony stems from the fact that, as I noted in that blog entry, my friendship with these two friends deteriorated after we started attending high school. I felt like I had somehow outgrown them or that we didn't have the same level of commitment to things. Plainly speaking, I think they really did think I was completely nuts after almost getting us into a fight with some violent neo-Nazis. That summer before high school, I didn't really see or hear from them, which made the growing schism even wider. I had no classes with them, and I started to make other friends. These friends that I was making ended up being the people I recruited to help me with FUCK OFF!
I did the lion's share of the work but I handed the major writing assignments off to a person who chose the pseudonym "Fast" Eddie Peale. "Fast" Eddie had a style that took no punches: he went for the jugular, and I liked that. When he showed me his first articles, I declared them perfect. No need to edit, no need to tell him what or how to write... his contributions were ultimately what kept people's attention, after the visuals I cooked up lured them in. He targeted what he perceived as posturing and preening at our school: the little political groups devoted to ending South African apartheid that he (correctly) viewed as glamorized social clubs for those who weren't jocks or cheerleaders; the ways in which our musical choices determined cliques (perhaps the most controversial essay we ever published); and a list of reasons why killing a quarter of the world's population would be beneficial to society (an immature foray into satire via Jonathan Swift).
As sophomoric as this all was (and not because we were Sophomores, mind you) it also bears noting that this wasn't your average teenage whining. Far from it. FUCK OFF! was sort of mean-spirited and petty... and in comparison to what is going on right now as we speak online and in the world of politics, fairly prescient.
Many people assumed that I put "Fast" Eddie up to it when it came to things to write about, but the truth is that he was never told what to write or how to write it. Thus, when he targeted the kid in the Butthole Surfers T-shirt in an article about political consciousness in our school, many who knew me before high school assumed that I had commissioned a "hit piece" as retaliation for... for what, nobody ever explained. And it's just as well, because I suspect that if I had commissioned a hit piece (my God, just writing that sentence both makes me ill and makes me laugh) it would not have been as funny as what "Fast" Eddie turned in.
Fortunately for everyone involved, I have not reprinted the articles for people to read. Some of the text can be seen in the pictures I have uploaded, but I made no effort to transcribe the content. Because frankly, it was high school writing at its best, and even if Mr. Peale were to sign off on it and agree to let me post his articles, I don't see how they would have any point other than to reflect upon ideas expressed over two decades ago, ideas that were funny back then but may have aged badly and might prove to be more embarrassing than we all would like to admit.
As it is, Peale doesn't even know I'm posting this. He's on my Facebook but I think he's too busy these days to log on. I might send this link to him to see if he might enjoy it, but I doubt he will. There's no bad blood between us-- I just have a feeling that (true to his ornery self) he would scoff at the notion that there's anything of value here.
As for me, I see the value (as I stated earlier) in the artwork. There are several elements that, even as they are of their time, are actually ahead of their time. For example, in the top left corner of the image above this paragraph, there is a picture of Donald Trumpp with a caption over his head reading "The Great Satan". I can't think of anything that encapsulates what a large number of people all over the world are feeling right now more than that. It has many layers to it, the biggest being the proposed anti-Muslim registry our new President wants to implement. "The Great Satan" of course is the nickname that Arab nations have given to the United States as the Western superpower it has been ever since the end of WWII.
I created that small fraction of an image, one that was a small part of a larger tapestry, almost as na afterthought. The caption could've gone over the heads of any number of political figures of the time: Bush 41, Clinton, Yasser Arafat, Jerry Falwell, even someone like Luther Campbell from 2 Live Crew, who was embroiled in a First Amendment fight over his song lyrics. But it ended up on Trumpp, and seeing that small fragment as I rifled through these pages prompted me to get out the camera, take pics, upload them to the PC, and begin writing this out.
In my mind, there is hope that some teenager out there is doing exactly what we did back then, but this time on their Tumblr, or on Twitter, or Snapchat or Instagram.

After a few issues and a dwindling attention span for our brand of agitprop, "Fast" Eddie officially retired from FUCK OFF! My interest in the 'zine at this point was strictly editorial, which means nothing when you consider that I published nearly everything I was handed. More contributors began to submit artwork and articles, but as one friend of mine put it, the 'zine became more of a thing for the writers and artists than any readers. I think we even printed a contribution from someone's mom, under the name Suzy Creamcheese. As cool as it was for her to support our 'zine, remember what I wrote earlier about the party being over when the moms show up.
We never got into any real trouble for our efforts, which disappointed me a bit. I totally imagined an entire scenario in my head whereupon the principal finds an issue of the 'zine and can barely contain his unfettered rage, his hands shaking the pages loose as he fumes with wrath. I could hear my name being growled as he pages his secretary, ordering her to "find out who is putting out this scandalous filth" and bring them to his office.
The fantasy falls apart when I recall that (1) our principal was a woman, and (2) there actually was an "official" underground newspaper called The Forum at our school. It started when a student created it, got in trouble, and some of the teachers defended the work and volunteered to supervise its publication so as not to stifle the creativity and expression at hand. This appalled me to no end, even though I submitted a piece or two that made it to publication. I had created FUCK OFF! as some sort of antidote to the notion of an official underground press, but when the most offensive piece we ever published was a Peale article that pigeonholed everyone in our class according to their taste in pop music, that should've been the sign that we weren't going to really get far with the whole -let's-piss-people-off thing.
I must say, my high school was extremely tolerant. Either that, or people today are just offended far easier than thy ever were.
There was one essay that I penned shortly before I stopped putting these things out for good. I was going to reprint it but decided against it, even though I am really proud of what it had to say.
I decided not to reprint it because I don't want to seem like I am living in the past. It's bad enough that I am celebrating something I did in high school. I feel justified in that only be cause it is the logical extension from my blog post about the skinhead incident, which was inspired by neo-Nazi Richard Spencer getting smacked upside his head.
But the other reason why I didn't reprint that one article that made me proud is because, sadly, it is still relevant. When I wrote it in 1991, I was hoping for a better future. I was hoping that people would have evolved. In many ways, civilization has evolved since those days. But right now, we're seeing it devolve, going backwards. It is such a stark contrast to what I wrote back then.
My article's premise was that, if we wanted a better future for our kids, we had to start by reaching out to our peers before they go off to college, become cogs in the Establishment, and churn out babies, all the while passing on the bad habits and prejudices of the past. The future judges, leaders, police, and soldiers need to be programmed, like me, by people with optimism and love in their hearts before the world pummels them down and crushes their spirits. Only in this way, I surmised, can the human race rise above the muck and the mire.
Looking around these days, I don't see it happening any time soon. But at least I have a kid of my own, and I'm doing everything I can to make sure he gets it before he grows old. I'm doing my part, in other words.
Eventually, the demise of FUCK OFF! came right after Clinton became President. I can only imagine, had I failed to graduate in 1992 and didn't finally make it out until the end of his two-term presidency (or, in a less backwards manner, the underclassmen had taken up the mantle and continued publishing FUCK OFF! in my absence) what the 'zine would've done with material like the Monica Lewinsky scandal. By the time that thing hit the news, I was already busy being a cog in the machine after pursuing a record contract with a hip-hop group and then (when that failed) getting hired on at a radio network that eventually got bought out by Clear Channel.
My one real regret while working for Clear Channel was that I never took over the streaming satellite feed during a Rush Limbaugh show to broadcast Bill Hicks' stand-up bit about Bush, Reagan, and Rush doing nasty things with Barbara Bush in a bathtub. I had the idea, and I know how I would've carried it out. Sure, I would've been fired, fined by the FCC, and received death threats from Dittoheads the world over... but the Old Me would've done it with no compunction.
Eventually, they laid me off after almost eight years of service. How appropriate.
I discovered the virtues of blogging and trolling in late 2002, around the same time I got the boot from Clear Channel. I began to follow current events again, and at one point I had as many as five blogs (one being expressly political) as well as being as contributor to a few college websites that did the underground press thing much better than I ever did in high school. I battled with Internet trolls and argued profusely with complete strangers, some of whom I might have been friends with had I met them in person IRL.
And now, here we are, in the Trumpp Age. The New Dark Ages. The Era Of The Great Satan. And here I am, wallowing in past pseudo-victories, laughing to myself as people debate concepts such as "alternative facts" and "fake news", marveling at how many people I used to know who hated it when I talked about politics now think they have an opinion just because they own a smart phone.
I'm over it. And yet, I'm not. Because it's all coming full circle. Like I said, somewhere out there, a bunch of smart-ass kids are getting their crazy anything-for-a-laugh friend to do something wild and nutty. And then that kid is going to have an epiphany one day, and he (or she... gotta be gender neutral) is going to go out and make bold, grand declarations.
And I hope they get further with it then I ever did.
One last thing:
The poet W.B. Yeats attended Alfred Jarry's debut performance of his play Ubu Roi back in 1896. The character of Pere Ubu is a buffoonish, vulgar caricature who somehow becomes the ruler of the nation and proceeds to "dis-embrain" his political foes before he and his manipulative wife are driven out of Poland and into exile. The play ended when the lead actor playing Pere Ubu uttered the play's first word, "Merdre," and caused an infamous riot.
Later on, Yeats was quoted as saying, in response to both the play and the riot, "After our own verse, after all our subtle colour and nervous rhythm... what more is possible? After us the Savage God."

















